"I've been mightily taken by the XR treatment...hugely impressive" (Gramophone, June 2007)
All of the recordings listed below have been transferred and remastered by Andrew Rose using Pristine Audio's unique 32-bit XR remastering system, bringing lower noise, more accurate tonal reproduction and an extended frequency range to historic recordings. They are available both in original mono and Ambient Stereo versions - click here for more on how Ambient Stereo brings a new, natural dimension to mono recordings.
Mahler Symphony No. 2 'Resurrection' Walter, New York Philharmonic, 1958, stereo
Wagner Siegfried
Furtwängler, La Scala, 1950
Debussy Preludes Walter Gieseking, 1953/54
Pristine release date19/4/13
Pristine release date 26/4/13
Pristine release date 3/5/13
Wagner Götterdämmerung Furtwängler, La Scala, 1950
Pristine release date 17/5/13
See also our full, downloadable PDF catalogue:
About Pristine Audio's XR Remastering
Pristine Audio XR(Extended Range) builds on the technologies behind Pristine Audio's Natural Sound recordings to dig deeper into the grooves of early recordings than ever before and pull out the frequencies hidden there, previously lost behind surface noise and hiss, as well as to re-align the audible frequencies that were often distorted during the recording process by poor vintage recording equipment.
The results are astonishing - beyond anything you ever dreamed possible.
Following this re-equalisation and the careful application of noise reduction we can, at long last, start to hear something approaching a true hi-fi sound from recordings made between the 1920's to 1950's, and even astonishingly realistic sound quality from acoustic recordings made before 1925.
There's no trickery involved, no artificial generation of frequencies (for many this seemed the most likely way to achieve this). What you hear is straight out of the record grooves, sounds lost for decades, with a frequency range approaching that of an FM radio broadcast for 78s, and beyond for LPs.
Finally the great recordings of the golden era of recording can stand sonically
alongside their modern counterparts!
"Very impressive... The sound...has depth and vividness that allows you to appreciate the wonderful attention to the work's pacing and, particularly, shading that Weingartner brings." Gramophone, June 2007, on Weingartner's Eroica, a Gramophone Essential Download
For more on Pristine Audio Natural Sound and XR click here
Pristine Classical - DRM-free historic FLACs and MP3s since 2005
Natural Sound
Before XR, there was Pristine Audio's Natural Sound
Natural Sound logo
In addition to our growing collection of XR-remasered recordings, look out for the Natural Sound logo.
Natural Sound was the name given to the remastering process which immediately preceeded XR, and the two are about 80% identical in operation.
What Natural Sound lacked was the ability to dig deeply enough into upper the frequencies of older recordings to try and bring out otherwise lost harmonics.
However, in every other respect it achieves very similar results and brings huge advances in the field of historic recorded music.
The technique was developed whilst working on Toscanini's classical recording of Beethoven's Symphony No. 7:
This was reviewed in the January/February 2008 issue of Fanfare Magazine thus:
Wow!
Okay, you want more than a one-word review?
Double wow! A must-get disc. You all know, or should know, this performance. It has never sounded this good.
Look out for the Natural Sound logo on dozens of recordings at this site.